Archives for category: Technique
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It’s been a while since I’ve a tutorial of any sort, so I thought I’d expand on my one-minute edit and do something a little more advanced. For this, the screenshots you will see are from Adobe CameraRaw and Photoshop CS4 because that was what I had open, generally I would probably do most of this in Lightroom with a splash of CS4 – however, this tutorial does also work for LR, the tools are just in a slightly different format in LR.

This tutorial really focuses on some tools to recover detail and fix color washes. The other night, I was shooting a show that had intense color washes of every color – green, blue, magenta, red, etc. It was hard to meter for, but worse than that, the photos were just flat since everything was a monotone of the current wash color. (more…)

Last Fast Action Promos - Band

I’ve been posting so many live pictures, that I thought it was time to change it up a bit.

A few days ago, I picked up the prints from a roll of 120 film that I shot with my Yashica-A TLR.  I’m so used to the ease and speed of digital, that it takes me a while to finish up a roll of film, because I often just grab my digital kit and run.  I have to make a definite effort to shoot film.  So, basically, when I develop a roll of a film, I usually forget what pictures are on it.

This roll was no different. (more…)

I’m working on some super cool new actions that are of the “one-click and you’re done” variety, but until I’m done with that, I thought I would break up all the concert shots with a simple, but useful, free action set. Consider it a present from the Easter Bunny :)

This action set is all vignettes. I am a huge fan of vignetting; I love the way it focuses the viewers eyes on the subject of the photo, especially when there is a cluttered stage. However, in general I like a more subtle version of the vignette that just slightly darkens the color of the outer edges of the photo. In this way, the vignette can more effectively do it’s job of directing the viewer’s attention, rather than being overpowering, and therefore, counterproductive. Basic Photoshop tricks produce a black vignette, which can look very fake when used with brightly colored stage lighting. This is where this action set comes in. (more…)

Teaser

I’ve been wanting to do this for a while – share some of my editing shortcuts with fellow photographers!

Concert photographers deal with such extreme conditions that many other readily available actions are often not applicable to concert photos. With that in mind, I tried to make these actions adjustable so that they work with different lighting conditions (but even with their flexibility, keep in mind that these actions still work best on properly exposed and white balanced photos). Also, I’ve used these actions on lots of non-concert photos, so non-concert photographers, feel free to download them too! (more…)

A few months ago, I bought the full-frame Canon 5D as a back-up and have since embraced obscenely wide shots; my 16-35mm rarely comes off of the 5D during concerts now, and it’s normally stuck on the 16mm side.

The top five things I’ve learned as I’ve been working more and more with my wide angle:

1. The best shots are when the band comes to the edge of the stage. Despite this being true for concert shots in general, the closer the subject is to the lens, the more impact that shot has.

Mest @ The House of Blues (more…)