The Glide and I have been trying to set up a live shoot for the past year. Literally, a year. It seemed like it wasn’t meant to be, with conflicting schedules, and even a dog bite getting in the way, but finally, we made it happen.
I wasn’t completely sure what to expect when we showed up, but the band was not only full of really nice guys, but they were fun. Dubbed “electro-rock” by local entertainment paper Beep, The Glide is full of high-energy songs that get everyone up and dancing (as you can see from a picture or two below). In fact, at one point, keyboardist Jason Little jumped offstage with a wireless keyboard and started playing IN the crowd. He later told me he has never done that before and did it on a whim. I love bands that take chances and just have fun, which The Glide did.
If you’re curious about The Glide (or just like free music), they offer their EP Ceremony for free download on their site: www.theglidemusic.com.
Shooting Notes
In general, The Bottom Lounge is a good place to shoot. The front lights are generally bright enough, and the row of cans in the background always provide some great backlight. This shoot was no exception. Additionally, The Glide brought their own light guy in for the show, which was nice, because he knew the songs, and therefore, set the mood with the lights for each song. And aside from a few minutes here and there, he stayed away from the dreaded red light, which is always appreciated.
I shot the set with two 5D Mark IIs, the 16-35mm, the 24-70mm, and even brought out the 15mm fisheye for a song. I was generally shooting between 5000-6400ISO, but I was erring on the side of overexposure to combat noise. I was also shooting at a comfortable 1/125 most of the time.
